As has always been our policy, service animals are admitted with their owners regardless of time or stay.The owners agree to be present or remove their pets from the room during housekeeping service or while any hotel staff is present in the room.If your pet creates a disturbance or becomes aggressive to any guest or other person in the hotel, the owner agrees to remove the pet promptly from the hotel upon request unless a mutually acceptable compromise can be met.Dogs are allowed in designated food or beverage areas only.Dogs must not be left unattended by their owners while in the hotel.Pets must be on leashes or in crates while they are in any public or common places within the hotel.We have a few rules, to ensure the comfort and safety of all our guests, be they human, furry, fuzzy or scaled: I just feel very excited to go to work every day.We understand that you don’t always want to leave home without your furry friend so our hotels are pet friendly. “Although I’ve done a lot of dresses that I’ve loved and I’ve worked with a lot of brides that I’ve loved, this is the first time in a while that this has felt so personal and so right. You don’t have endless opportunities to connect with your work,” Dye says. “It’s very easy over time to lose your way as a designer. Increasingly, the colorful collections mean they’re also there for galas and parties-something Dye loves. These days, shoppers come to her light-filled studio in Northwest’s Film Exchange Building seeking out Dye’s balloon sleeves, plunging necklines, and vibrant dresses for the big day. In 2013 Dye sold the English Department to Xtabay owner Liz Gross to focus on her brand’s growing clientele. The line took off instantly, with a New York bridal boutique picking up the entire collection. Teetering on burnout, she created the Elizabeth Dye brand in 2010, putting 12 styles into factory production. A few years in, she was running the shop and also custom-making about 85 wedding dresses a year by hand. In 2005 she opened the English Department, which would become a bridal boutique. Like many designers of the Seaplane era, Dye used it as a jumping-off point to evolve in the local style scene. The store gave locals a taste for custom work and acted as a design hub. Seaplane, which Stalder and her partner sold in 2008, is now a well-known part of Portland’s design history and arguably put the city on the map as an indie fashion capital long before Project Runway shone a light on our scene. We had a real scrappy vibe, and she helped step it up a little bit.” “Seaplane had this deconstructed vibe, but her stuff was really refined,” remembers Seaplane cofounder Holly Stalder of Dye’s foray into clothing design. She began upping her sewing skills, making meticulously crafted pieces to sell at the shop. Nothing like it existed in Portland at the time, and Dye wanted in. It was through reporting for the alt-weekly that Dye learned about a new shop called Seaplane, billing itself as a loose collective where designers could sell DIY pieces. One of the lowest paying, but most influential, was for Willamette Week, where Dye used her MFA in writing and a barrel of chutzpah to get a gig as the fashion columnist. So she quit law school and began cobbling together over a dozen freelance and temp jobs to survive and pay the impending student loans. In the summer of 1999, Dye was a promising Stanford law student spending the break back home in Portland and clerking for Stoel Rives. And I have felt rewarded.”Īll of this is perfectly on brand for Dye, who’s been consistently reinventing herself in our fashion microcosm for the past 20 years. I took an ‘If I build it will they come?’ kind of risk. “The response has been fucking awesome-like beyond my wildest dreams,” says Dye. (White gowns became popular only after 1840, when Queen Victoria married Prince Albert the images spread around the world, making Victoria the first bridal influencer.) In the past year, Dye has unveiled collections with lilac mini power puffs, a dress of flowing, flame-colored tulle, and even a highlighter-yellow neon gown for brides who realize a white dress is merely a suggestion. The result is something wilder, brighter, and infinitely more colorful than we’ve seen before, and despite her veteran status in the Portland design community it’s the reason we’ve named her our Emerging Designer 2020. Now, 10 years into an übersuccessful wedding gown career, Dye’s making a hard left, producing bold new looks far from the prevalent virginal-boho-angel-floating-on-a-cloud bridal aesthetic. And it can be wild and it can be whatever you want.’” And I approach it from a position of ‘Let’s just have some fun. Because it is a weird thing, bound up with so many expectations. “I meet so many people who approach the whole thing with so much trepidation and who fundamentally don’t identify with it,” she says about anxious brides.
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